Selasa, 30 April 2013

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The Hero with an African Face: Mythic Wisdom of Traditional Africa, by Clyde W. Ford

"Discovering a deeply meaningful African myth is like finding an old snapshot of myself in a place long forgotten.... These myths are more than just folk tales or fables.... Here are epics as grand as Gilgamesh, heroes as hardy as Hercules, heroines as vexing as Venus." And yet, as Clyde Ford discovered, the great myths of Africa were left out of the key works of modern mythology, missing from the sacred stories of world culture.  Taking it as his mission to reclaim this lost treasure, he has written a fascinating and important book--one that both brings to life the ancient tales and shows why they matter so much to us today.

African myths convey the perennial wisdom of humanity: the creation of the world, the hero's journey, our relationship with nature, death, and resurrection.  From the Ashanti comes the moving account of the grief-stricken Kwasi Benefo's journey to the underworld to seek his beloved wives.  From Uganda we learn of the legendary Kintu, who won the love of a goddess and created a nation from a handful of isolated clans.  The Congo's epic hero Mwindo is the sacred warrior who shows us the path each person must travel to discover his true destiny.  Many myths reveal the intimacy of human and animal spirits, and Ford also explores the archetypal forces of the orishas--the West African deities that were carried to the Americas in the African diaspora.

Ultimately, as Clyde Ford points out, these great myths enable us to see the history of African Americans in a new light--as a hero's journey, a courageous passage to a hard-won victory.  The Hero with an African Face enriches us all by restoring this vital tradition to the world.

  • Sales Rank: #946877 in Books
  • Brand: Brand: Bantam
  • Published on: 1999-01-19
  • Released on: 1999-01-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 6.50" w x 1.00" l,
  • Binding: Hardcover
  • 256 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
Extending the sensibility of Joseph Campbell, Ford exposes readers to African myths and folk tales, finding that they harbor both culturally specific and universal motifs. Ford (Where Healing Waters Meet) has a diverse background in business, chiropractic, psychotherapy and African-American history. He recounts many traditional African stories, exploring their metaphors, symbols and archetypal figures, their answers to the timeless questions of how to live, how life began and how it will end. While these tales have been notoriously absent from world literature, they are strikingly similar to Eastern, Western and Middle-Eastern mythology in many ways. As Ford splices the myths with his engaging analyses of them, he illuminates universal themes and values, symbols and characters. Applying the hero's journey to the African diaspora ("the massive forceful displacement of millions of Africans"), he ruminates: "there is every reason to believe that African slaves... understood their capture and travails in just such mythic terms." Likely to find its way into college classrooms, Ford's comprehensive work supplies a missing piece of world mythology.
Copyright 1998 Reed Business Information, Inc.

Review
Advance Praise for The Hero with an African Face:

"This fascinating exploration of African stories and myths informs and inspires us.  And most importantly it tells us who we are as human beings--all of us."
--Cornel West, author of Race Matters

"The Hero with an African Face is a breakthrough book on the mythic imagination of Africa.  Clyde Ford picks up where Joseph Campbell left off and takes us into the wonder and mystery of the African traditions.  A master storyteller, he skillfully evokes the mythic vision, weaving personal reflections on the seeker's journey with interpretations of enchanting stories from the many voices south of the Sahara."
--Jonathan Young, Ph.D., founding curator, Joseph Campbell Archives and Library

"The Hero with an African Face presents the compelling wisdom of African traditions, which is relevant to everyone living in the modern world.  Through this book the deep well of sacred mythic knowledge left to us by these 'first peoples' can assume its nature and rightful place in the pantheon of world mythologies.  Clyde Ford has given us an extraordinary gift."
--Michael Toms, co-founder of New Dimensions Radio, author of An Open Life: Joseph Campbell in Conversations with Michael Toms, and co-author of True Work: The Sacred Dimension of Earning a Living

"Though the contribution of Africa to world mythology is monumental, African mythology has yet to gain the honor and admiration given to other mythologies in the West.  Clyde Ford is destined to change this.  The Hero with an African Face resurrects the sacred wisdom of traditional Africa.  This book should be read with reverence and respect."
--Malidoma Somé, author of Of Water and the Spirit

From the Inside Flap
"Discovering a deeply meaningful African myth is like finding an old snapshot of myself in a place long forgotten.... These myths are more than just folk tales or fables.... Here are epics as grand as Gilgamesh, heroes as hardy as Hercules, heroines as vexing as Venus." And yet, as Clyde Ford discovered, the great myths of Africa were left out of the key works of modern mythology, missing from the sacred stories of world culture.  Taking it as his mission to reclaim this lost treasure, he has written a fascinating and important book--one that both brings to life the ancient tales and shows why they matter so much to us today.

African myths convey the perennial wisdom of humanity: the creation of the world, the hero's journey, our relationship with nature, death, and resurrection.  From the Ashanti comes the moving account of the grief-stricken Kwasi Benefo's journey to the underworld to seek his beloved wives.  From Uganda we learn of the legendary Kintu, who won the love of a goddess and created a nation from a handful of isolated clans.  The Congo's epic hero Mwindo is the sacred warrior who shows us the path each person must travel to discover his true destiny.  Many myths reveal the intimacy of human and animal spirits, and Ford also explores the archetypal forces of the orishas--the West African deities that were carried to the Americas in the African diaspora.

Ultimately, as Clyde Ford points out, these great myths enable us to see the history of African Americans in a new light--as a hero's journey, a courageous passage to a hard-won victory.  The Hero with an African Face enriches us all by restoring this vital tradition to the world.

Most helpful customer reviews

14 of 15 people found the following review helpful.
Finally, a context for African American spirituality!
By Lola E. Peters
The last paragraph of the book is in my day timer as a reminder of who I am, where I came from and why and how I will always be. Ford's view of the African American story as an epic journey is liberating. He contrasts the intimacy between African diety and the common person with the separation between the western God or Goddess and their subjects. As someone who is struggling to understand the deepening division of black and white in US culture, I find this book very helpful in clarifying our root cultural differences. This also is a wonderful book to give a young person who is away from home or struggling with the questions of identity. As someone who has worked with children in multiracial families (particularly adopted children) who are struggling with a sense of place, I wish I'd had this book a long time ago.

10 of 10 people found the following review helpful.
A monumental work
By John M. Gilmore
Clyde W. Ford helps us to connect to African mythology on so many levels. It is encouraging and illuminating to finally see African mythology treated in the manner that it deserves: as vital as those of any other culture. He demonstrates the importance of myth for centering our lives and providing focus for living. His discussion of the meaning and role of myth in the preface is worth the price of the book alone.

7 of 8 people found the following review helpful.
African myths are given their rightful place in the world!
By A Customer
This book provides the missing link in our spiritual/mythical evolution. When one link in humanity's mythological history is placed forever outside of the philosophical circle; both sides lose. Those inside the circle suffer, as well as those outside of the circle. This book is as important to me as Ken Wilber's "Brief History of Everything.' From this point forward the African myths are given their rightful place in the pantheon of world mythology.

See all 10 customer reviews...

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Minggu, 28 April 2013

[I698.Ebook] PDF Download Shoshanna's Short Shorts (sexy stories), by Shoshanna Evers

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Shoshanna's Short Shorts (sexy stories), by Shoshanna Evers

BDSM Erotica Bestseller & Romantic Erotica Bestseller!If you're in the mood for a quickie (ahem), you'll love this collection of eleven sexy short stories from New York Times and USA Today bestselling erotic romance author, Shoshanna Evers -- "Queen of the erotic novellas." (Fandom Fanatic). This collection pulls Evers' published stories together from nine different anthologies into one volume. Includes a never-before-published story, plus the bestselling Overheated!



Shoshanna's Short Shorts includes a foreward by NYT bestseller Skye Warren, and these critically-acclaimed erotic stories:



MELTING ICE - from Best Bondage Erotica 2012, (Cleis Press).

Edited by Rachel Kramer Bussel. © Shoshanna Evers 2011



THIS MIGHT HURT A BIT - from Take the Heat: Criminal Romance.

Edited by Skye Warren. © Shoshanna Evers 2014



BLAKE EATS OUT - from Can't Get Enough, (Cleis Press).

Edited by Tenille Brown. © Shoshanna Evers 2014



DROP TWO TEARS IN A BUCKET - from Cowboy Heat, (Cleis Press).

Edited by Delilah Devlin. © Shoshanna Evers 2014



FALLING ASHES - from Smokin' Hot Firemen, (Cleis Press).

Edited by Delilah Devlin. © Shoshanna Evers 2013



FORCED ORGASMS - from The Big Book of Orgasms: 69 Sexy Stories, (Cleis Press).

Edited by Rachel Kramer Bussel. © Shoshanna Evers 2013



BODY HEAT - from Baby Got Back: Anal Erotica, (Cleis Press).

Edited by Rachel Kramer Bussel. © Shoshanna Evers 2013



PLASTIC WRAP - from Best Bondage Erotica 2013, (Cleis Press).

Edited by Rachel Kramer Bussel. © Shoshanna Evers 2013



ISABELLE, MY SAVIOR - never before published!

© Shoshanna Evers 2015



TAPE - from Felt Tips, (8th Circle Press).

Edited by Tiffany Reisz. © Shoshanna Evers 2012



OVERHEATED - the bestselling stand-alone short story (self-published).

© Shoshanna Evers 2011

  • Sales Rank: #781317 in eBooks
  • Published on: 2015-07-28
  • Released on: 2015-07-28
  • Format: Kindle eBook

Review
5 Stars!"This very enticing erotic romance collection has eleven deliciously titled short stories that will easily peak your interest and draw you into a world of passion, heat, and unadulterated sex that is so sizzling hot, that you're bound to scorch your fingers as you turn the pages."
~ Jersey Girl Sizzling Book Reviews 
4 Stars! "a little bit of everything to do with hot, steamy, and wet. If you don't have more than a few minutes this will get the job done."~ Romantic Fanatic

Most helpful customer reviews

1 of 1 people found the following review helpful.
Shoshanna's Short Shorts
By Jersey Girl Book Reviews / Jersey Girl Sizzling Book Reviews
If you are a fan of erotic romance stories, then boy do I have a treat for you! In Shoshanna's Short Shorts, author Shoshanna Evers has put together a sexy collection of eleven erotic romance short stories from nine of her published anthologies that is sure to curl your toes and have you reaching for a fan!

This very enticing erotic romance collection has eleven deliciously titled short stories that will easily peak your interest and draw you into a world of passion, heat, and unadulterated sex that is so sizzling hot, that you're bound to scorch your fingers as you turn the pages. This collection of erotic romance stories features a variety of smoking hot storylines and themes: dominatrix, bondage, sexy cowboys and firemen, vampires, and hard core sex scenes that is not for the faint at heart or for people who blush easily. These eleven sexy stories promises to get your motor humming! So without giving away any tantalizing spoilers, take my word for it and read Shoshanna's Short Shorts, it is a quick little erotic romance short story collection that you can read in one hot lazy summer afternoon, you can thank me later! *wink, wink*

Disclaimer: I received a copy of the book from the author in exchange for my honest review.

1 of 1 people found the following review helpful.
Had me at the foreword!
By Jade Onyx
Held me captive at the foreword and couldn't wait to read the rest of the book! Although I've read about half of the stories, give or take, I was happy to have a chance to read the rest of the stories at this awesome release day price. Definitely saved me some money, instead of having to invest in each separate anthology only to read Shoshanna's works. So, this is one great deal -- get it while it lasts!

0 of 0 people found the following review helpful.
One really hot sexy, erotic collection of stories!
By Tiger08
I really enjoy reading hot erotic short stories. Novella length is fine, but a well-written short story can be read in a few minutes to an hour. I especially enjoy reading Shoshanna’s stories and books. I have previously read about 40% of these stories, but really enjoyed re-reading them twice more in the last 2 days. I won’t give away any spoilers, but give a couple of sentences on each story, to hopefully peak your interest.

"“Melting Ice”: Amanda decides to try self-bondage for the first time. This is a funny, sexy short. Amanda’s story continues in “Body Heat” the 7th story in this collection.

“This Might Hurt a Bit”: Courtney owns a small high class sex shop. She sells mostly on-line. Her ex-boyfriend has left her when she really needs him to model for a calendar. Does she find someone to take Travis’s place, or does she lose her business because she can’t produce the calendar that she has already pre-sold.

“Drop Two Tears in a Bucket”: A short sweet, highly erotic story of a woman trying to forget her past when her divorce is final.
Will she find someone on her isolated ranch to help her forget her sorrow? Or will she continue to brood over what her life might have been?

“Blake Eats Out”: If you love to read about a Dominatrix and her slave you will love this short. If you love this then please buy the boxed set trilogy: “Becoming Hers”. I have read this trilogy several times and also the Audible version. Be aware that Victoria and Blake’s story is fairly hard core D/s. The trilogy is not for the weak at heart. I did not like the first 2 books until I read the 3rd. But Shoshanna tells such a great love story it is a fantastic read--one of my favorites.

“Falling Ashes”: A dramatic short, keeping you reading to the end. Susan’s boyfriend is a fire fighter working the worst forest fire is ages. Will Trent survive the fire that has wounded a number of firemen? And does Trent really love her?

“Forced Orgasms”: This is not what you would expect. Read to find out what happens!

“Body Heat”: Remember Amanda from “Melting Ice”? She has progressed beyond anything you can imagine in her self- bondage!
“Plastic Wrap”: A very erotic story of first time anal between a husband and wife! This is very unusual sex play. Great story!

“Isabelle, My Savior”: A college-age lady is dying of cancer. She encounters a lady Vampire. Will she accept the Vampire’s offer or will she die? This is a previously unpublished story. I am not a fan of vampire stories, but this story is short and very sweet!

“Tape”: Carrie’s birthday is today. She leaves work early to meet her boyfriend Mike. Before she gets out of the building a hand reaches out a door and forces her into a dark storage room, promising to have his way with her in every way imaginable. This is one of my favorite stories. I have read it several times.

“Overheated”: This is Shoshanna’s best known story in this collection. Katie’s old car dies on a country road in the dying heat. A cowboy comes along and offers her a ride! This is one of my favorite stories. It is highly erotic and has an unforeseen ending with a great surprise twist!

I received an ARC copy in exchange for an honest review. Hope you love these stories as much as I do!

See all 11 customer reviews...

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Rabu, 17 April 2013

[S859.Ebook] Get Free Ebook Objects of Desire: A Showcase of Modern Erotic Products and the Creative Minds Behind Them, by Rita Catinella Orrell

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Objects of Desire: A Showcase of Modern Erotic Products and the Creative Minds Behind Them, by Rita Catinella Orrell

The world of erotic product design is revealed in this curated showcase of over 100 beautifully crafted objects and the creative minds behind them. The latest adult toys, jewelry, and accessories from leading companies, as well as intriguing prototypes, are featured. Each product, from high-tech gadgets to handcrafted pieces of art, is presented with concise descriptions in a minimal graphic format that emphasizes the flowing curves, materiality, and overall design of the products. Once taboo, sex toys are in the midst of a design revolution. Including a foreword by Sarah Forbes, curator at New York City’s Museum of Sex, and in-depth interviews with leading sex bloggers, shop owners, and designers, the book will appeal to both fans of good design as well as "lovers" of good design interested in acquiring these pieces for their own collections.

  • Sales Rank: #956782 in Books
  • Published on: 2016-02-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.20" h x 7.40" w x 10.10" l, .0 pounds
  • Binding: Hardcover
  • 272 pages

About the Author
Rita Catinella Orrell is an award-winning design journalist based in New Jersey. She curates the product design blogs designythings.com and architects-toybox.com. Jason Scuderi is an award-winning designer, art director, and illustrator based in Brooklyn, New York.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Fun book!
By Lisa Della Croce
What a fun book! The book is about product design for erotic objects, if you want to explore some intimate objects to use with a love one I recommend this book for some inspiration. ( I personally didn't realize how many options we have!! ) The book has some interesting interviews about designers, shop owners, and other people in the industry. Just one thing don't leave it around if you have young children unless you want to explain some things. Otherwise it was great book. Thumbs up!

0 of 0 people found the following review helpful.
Put this on your coffee table and see what the neighbors say!
By stickerooni
This review originally published in www.lookingforagoodbook.com. Rated 4.0 of 5

I knew, going in to this, that this was going to be a book about 'adult sex toys' (more kindly referred to as "erotic products"), but beyond that, I wasn't sure what to expect here. I think the subtitle, "A Showcase of Modern Erotic Products and the Creative Minds Behind Them," is really key to this book.

This is not a catalog or even a review of modern erotic products. While it does feature some of the newest (currently) erotic products on the market, it does so in an artistic fashion (as opposed to either clinical or sensual) making this more like a coffee-table photo book than anything else. In her preface to the book, author Rita Catinella Orrell (who writes a consumer product design blog) writes: "The products in this book were chosen to appeal not only to lovers of good design, say the casual, curious observer, but also to those lovers of good design with a serious interest in acquiring these pieces." And I'd say this is a pretty apropos statement.

The primary focus here appears to be the design of the products. I think it's safe to say that the sex toy has come a long way from the days of simple vibrators or dildos and cheap plastic vaginal socks or mouths for male use. And yet, the ultimate purpose or result of the product remains the same. So where are the changes? In the quality of the materials in the product and the fine-tuning of shapes, angles, curves, and stimulation additions. What also has changed is the use of technology and the ability to control devices through the use of cell phones.

One of the more interesting products within is the "long distance" sex toys. One company (I won't advertise individual companies here ... you can read the book) packages a his-and-hers sex toy set in which each partner can control the vibration intensity of their partner's toy through their own cell phones. So... while apart, instead of just the sexy talk over the phone, you can add another dimension and actually control the action your partner is getting, while still talking.

There are even vibrators that react to music or specific sounds. Who knew!?

But as is often the case with coffee-table style photo books, the objects within are not the sort that are easily available, or at least not usually in expensive. The above mentioned his/hers toy retails for $400. This doesn't strike me as something for the average couple, but for those who are serious about their sexual toys.

I will admit, with a chuckle, that there were times when I viewed a product and I had no idea how it would be used (I guess I'm a little out of my league here). Fortunately, I may not be the only one as on some rare occasions, along with the classy photography of the product there might be included a very sterile, clinical diagram of the product in use.

Also, along with the product display, there are very brief interviews with some of the leading designers of some of these new products

There is still a sense of taboo surrounding the world of sex - specifically the world of sex for fun or as a pastime, rather than for procreation only - but books such as this show that we're becoming a little more open to talking about and sharing these sorts of things. And as we can make these products more personalized (curves and shapes designed for the uniqueness of an individual's body) the more likely we are to realize that these objects aren't just for 'deviants,' but for anyone who wants to enhance their sensual pleasure experiences. Books like this make us realize that these products are available and that intelligent, qualified experts are always working to design new products. Now if we can work on the product prices and availability perhaps more people would purchase a product of this sort, and not just those whose lifestyle really revolves around these experiences.

Looking for a good book? Objects of Desire, by Rita Catinella Orrell, is a photo book of modern sex toys, presented in nicely photographed, artistic fashion. Put one on your coffee table and see what your neighbors think the next time they come over for drinks.

I received a digital copy of this book from the publisher, through Edelweiss, in exchange for an honest review.

2 of 3 people found the following review helpful.
The design art of adult toys
By Ursiform
So, a publisher offers me the opportunity to review a book about, er, intimate toys. Am I going to say no?

No, I'm not.

Let me say up front that this is a book primarily about the design of such toys, not an illustrated manual on their use. So a certain group--you know who you are--can drift off now.

(Although, to be honest, there are some slightly racy pictures in the jewelry and lingerie section.)

There is some fun stuff in this book before you even hit the main sections. One of the up front sections cautions: "Before using any of the products in this book, first become familiar with the manufacture's directions, safety warnings, and cleaning instructions." The introduction is written by the curator of the Antique Vibrator Museum. And so it goes.

The book does open with vibrators. Of many shapes and colors. Some have remote controls. Some can be computer programmed. One has memory and doubles as a "thumb" drive. (Even though it's not designed to be used as a thumb surrogate. Unless you know a guy with very long thumbs.) His and her devices communicate over the internet for when you can't be together.

And more unfolds. Intimate exercisers. Jewelry and lingerie. Men's rings not designed to go on a finger. Replacements for the female body (or at least selected orifices.) Replacements for the male body (or at least one part of it.) Devices designed for rectal insertion. Which might include a faux animal tail. Or, as one description notes, be "boilable, bleachable, and dishwasher-safe, but not harness compatible."

There are products to inhibit conception, and to artificially induce it. There is even furniture upon which to do it.

The range is amazing, but perhaps not surprising. Even absent toy designers people will, it seems, find a way to make almost anything an intimate object.

But back to the book. This is very much a book of images, but not an entirely coherent one. There are two pages of photo credits at the end, and that diversity is evident in the final result. There are gallery quality images, marketing images, and some rather "huh" images. I felt a bit let down by the brief interviews. I expected more to feature designers and be about art, but they range over people from retailers to bloggers. Other than the subject, they read a lot like newspaper interviews of local business owners. How they got into the field, their vision, where the business is going. Perhaps, not surprisingly, there are many versions of needing to design products consumers like. (Or, given the subject, products they get off on.)

Sometimes the short bios of the people interviewed are more engaging than the interview. One begins: "Epiphora claims to have a very discerning vagina." I don't believe I've ever heard those last three words used in that way before. (I will say I think the sketch of her is one of the hottest pictures in the book.)

I guess I would describe this as a coffee table book for people with no kiddies around. Especially if they hang out in lingerie a lot.

As suggested above, I was provided a copy for review by the publisher.

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[Z107.Ebook] Free PDF Algebraic Curves over a Finite Field (Princeton Series in Applied Mathematics), by J. W.P. Hirschfeld, G. Korchmáros, F. Torres

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Algebraic Curves over a Finite Field (Princeton Series in Applied Mathematics), by J. W.P. Hirschfeld, G. Korchmáros, F. Torres



Algebraic Curves over a Finite Field (Princeton Series in Applied Mathematics), by J. W.P. Hirschfeld, G. Korchmáros, F. Torres

Free PDF Algebraic Curves over a Finite Field (Princeton Series in Applied Mathematics), by J. W.P. Hirschfeld, G. Korchmáros, F. Torres

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Algebraic Curves over a Finite Field (Princeton Series in Applied Mathematics), by J. W.P. Hirschfeld, G. Korchmáros, F. Torres

This book provides an accessible and self-contained introduction to the theory of algebraic curves over a finite field, a subject that has been of fundamental importance to mathematics for many years and that has essential applications in areas such as finite geometry, number theory, error-correcting codes, and cryptology. Unlike other books, this one emphasizes the algebraic geometry rather than the function field approach to algebraic curves.

The authors begin by developing the general theory of curves over any field, highlighting peculiarities occurring for positive characteristic and requiring of the reader only basic knowledge of algebra and geometry. The special properties that a curve over a finite field can have are then discussed. The geometrical theory of linear series is used to find estimates for the number of rational points on a curve, following the theory of Stöhr and Voloch. The approach of Hasse and Weil via zeta functions is explained, and then attention turns to more advanced results: a state-of-the-art introduction to maximal curves over finite fields is provided; a comprehensive account is given of the automorphism group of a curve; and some applications to coding theory and finite geometry are described. The book includes many examples and exercises. It is an indispensable resource for researchers and the ideal textbook for graduate students.

  • Sales Rank: #660396 in Books
  • Brand: Brand: Princeton University Press
  • Published on: 2008-03-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x 1.50" w x 6.14" l, 3.51 pounds
  • Binding: Hardcover
  • 744 pages
Features
  • Used Book in Good Condition

Review
"This book is well-written and I greatly enjoyed reading it. The wealth of information and examples in this book give the reader a firm foundation and develop an intuition for the subject. The authors have used it as a textbook for a two-year course, and it would be a fine introduction to any advanced undergraduate or graduate student wanting to learn this subject."--Thomas Hagedorn, MAA Reviews

From the Back Cover

"Very useful both for research and in the classroom. The main reason to use this book in a classroom is to prepare students for new research in the fields of finite geometries, curves in positive characteristic in a projective space, and curves over a finite field and their applications to coding theory. I think researchers will quote it for a long time."--Edoardo Ballico, University of Trento

"This book is a self-contained guide to the theory of algebraic curves over a finite field, one that leads readers to various recent results in this and related areas. Personally I was attracted by the rich examples explained in this book."--Masaaki Homma, Kanagawa University

About the Author
J.W.P. Hirschfeld is professor emeritus of mathematics at the University of Sussex. His books include "Projective Geometries over Finite Fields". G. Korchmaros is professor of mathematics at the University of Basilicata in Italy. F. Torres is professor of mathematics at the University of Campinas in Brazil.

Most helpful customer reviews

3 of 4 people found the following review helpful.
A good introduction
By Dr. Lee D. Carlson
The content of this book is not only intrinsically interesting but also of great importance to applications such as coding theory and cryptography. The authors' emphasis of course is on algebraic curves over fields of non-zero characteristic, but in the initial chapters they formulate the results as much as possible to be independent of characteristic. The first chapter for example is a review of the elementary algebraic geometry of affine and projective curves over any characteristic, but the authors also give examples of some of the peculiarities of algebraic curves in non-zero characteristic, such as the existence of "strange curves." A strange curve is one that has a "nucleus", i.e. a point that is included in all tangents to the curve at all non-singular points. The projective line is the only non-singular strange curve in characteristic zero, and so visual representations of strange curves will be elusive. Readers will have to rely purely on algebra for their understanding.

In these early chapters readers will also get their first taste of intersection theory, a subject that has taken on particular importance lately due to its connections with theoretical physics. Characterizing when two algebraic plane curves intersect entails eliminating one of the variables, and so the authors give a fairly detailed discussion of elimination theory and prove the classical theorem of Bezout. This is followed by definitions of rational and birational transformations, and then to a proof of the resolution of singularities theorem. This proof is done independent of characteristic, but the reader can see just where peculiarities can arise in the case of non-zero characteristic. These peculiarities arise from the existence of strange curves, but the authors show explicitly how to transform these curves so that the proof will hold. It should also be noted that the resolution of singularities theorem proved in this book is only for plane algebraic curves, and not the general one proved by Hironaka in characteristic zero and other mathematicians for certain non-zero values of the characteristic.

The authors do not motivate very well why they are going to analyze branches of curves using formal power series rather than just polynomials. A bit of historical background would have been good, instead of merely referring the reader to a book that is out-of-print. Readers familiar with the theory of ordinary singular differential equations will recognize some of the terminology, and this knowledge will in fact allow a better appreciation of some of the concepts in the discussion on branch representations. In the case of differential equations for example it is frequently useful to use power series representations for the coefficients of these equations, and to construct generalizations of Newton diagrams called Puiseux diagrams.

The reader will have to be patient and finally see their application to the study of algebraic plane curves after several pages of discussion on branch representations, which arise from the field of rational functions of formal power series. The goal here is to define a formal parameterization of the (projective) algebraic curve involving the ring of formal power series in an indeterminate t, or loosely speaking a "parametric" representation in the "parameter" t. As a trivial example all readers should be familiar with is the unit circle in the plane, which can be parameterized by the ordinary trigonometric functions sin(t) and cos(t) both of which have power series representations in the parameter t. The interesting cases arise when the curve has singularities, and this is the reason for bringing in the field of rational functions. In the authors' view, a branch representation is point in the projective plane (over the field of rational functions of formal power series in a single indeterminate) that is contained in the ordinary projective plane. The authors show how to obtain the simplest, i.e. the most "primitive" branch representation, and indicate when two branch representations are equivalent (change of parameters). They also show how to transform the primitive branch representations to "imprimitive" ones, using a monomorphism of the field of rational functions that is not an automorphism of the underlying field. The order of this monomorphism is the `ramification index' of the imprimitive branch representation. Using the notion of equivalence, they define a `branch' to be an equivalence class of primitive branch representations.

The utility of having the concept of a branch for the study of plane algebraic curves comes from defining a branch of such a curve to be a branch whose representations are the zeros of the defining polynomial of the curve. The notion that a branch is a "piece" of the curve that is smooth and continuous and the largest of such pieces is brought out in the notion of a `center' of a branch. Speaking somewhat loosely, this is the point where the parameter t is taken to be zero, and the authors show that this is a point of the curve. They then show that there is a unique branch of the curve that is centered at a simple point of the curve. Using this result, and their proof that the intersection multiplicity of an irreducible plane curve F with a singular point P and a curve G containing F as a component can be written as the sum of the intersection multiplicities of all branches of F centered at P, the reader can easily appreciate the idea that branches of a curve are the pieces as characterized above.

Taking the formal sum of branches leads to the notion of a `divisor', which is very important in modern algebraic geometry and is the source of many brilliant developments in the field. Using it, one is also able to connect geometric results with purely algebraic ones, such as Noether's Theorem, Hensel's Lemma, and the Weiestrass Preparation Theorem, as is brought out in detail in the book. Hensel's Lemma is useful in studying parameterizations since it characterizes when factorization in the polynomial ring can be "lifted" to a factorization in the formal power series ring. In this book Hensel's Lemma is used to study the irreducibility of what the authors define as `analytic curves' and `analytic cycles', which as the name implies, are algebraic curves defined in terms of the zero sets not of polynomials, but rather of formal power series. For readers who have had prior exposure to algebraic geometry, the way the authors use Hensel's Lemma also gives insight into what is called the `completion' of a ring using formal power series, and allows one to study the properties of an algebraic variety in neighborhoods that are smaller than Zariski open neighborhoods. The key idea here is the use of formal power series, in that they can give information about arbitrarily small neighborhoods of a node for example. In a Zariski neighborhood of a node for example, the curve may be irreducible, but in a smaller neighborhood, the use of formal power series reveals that the curve is reducible (due to the ability to factorize the relevant polynomial in the power series ring).

The concept of a `generic' point is discussed in the book no doubt as a prelude to the reader's possible future confrontation with the theory of schemes. The generic points should be thought of as not being singled out or special, and hence it is not surprising that an irreducible curve has infinitely many generic points (this is proved in the book). Generic points satisfy the polynomial in some proper extension of the field under consideration.

It is more difficult to grasp the relevance of a model of a function field, at least if one is not reminded of its role in the birational equivalence of algebraic curves. The authors don't motivate the concept too well, but eventually prove that any two models of a field are birationally equivalent. In the book, models and branch representations find utility in the concept of a `place' of a function field, which is an equivalence class of primitive place representations. The authors prove that the places and branches of any model of a function field are in a 1-1 correspondence.

Of particular importance is the authors' discussion of the notion of separability. In the theory of elliptic curves, one studies endomorphisms of elliptic curves, which are homomorphisms of elliptic curves to themselves that are given by rational functions. There is a standard form for the rational functions that describe an endomorphism of an elliptic curve y^2 = x^3 + Ax + B, namely as a pair (r(x), s(x)y) where r(x) and s(x) are rational functions. If the derivative of r(x) is not identically zero, then the endomorphism is said to be `separable.' As is shown in standard treatments of elliptic curves, the Frobenius endomorphism of an elliptic curve is not separable, and this turns out to be extremely useful property in the study of elliptic curves over finite fields. Separability becomes a sticking point when the authors discuss derivations and differentials, since an inseparable variable can be written as a power, and for fields of non-zero characteristic, the differential of such a variable will vanish.

Because of the drive towards generality in this book, the authors treat the notion of separable endomorphisms of algebraic curves in terms of derivatives, but first define separability in terms of field extensions. Their discussion is a straightforward summary of what is done in a graduate course in algebra (but the reader should be aware that the summary of separable field extensions is very cursory and most of it is delegated to an appendix). The important fact to remember here is that of a separable variable of a field of transcendence degree 1, which is one that cannot be written as the pth power of any element in this field. Using this notion of separability, one can generalize the Frobenius map of elliptic curves to that of a Frobenius rational transformation of the function field of an algebraic curve, which as expected takes two variables in this field and raises them to the qth power. Rational transformations are then defined as separable if the field extension of their images is separable; inseparable otherwise. The authors prove that every inseparable transformation is the product of a separable rational transformation and a Frobenius transformation. Characterizing separability of a rational transformation in terms of derivatives requires that differentiation is a meaningful operation on a field. This operation is called a `derivation', and the authors' define it in terms of its familiar properties, such as the product rule for differentiation etc. Things of course get tricky for higher derivatives in fields with non-zero characteristic, but this situation is dealt with by the use of `Hasse derivatives'.

The reader familiar with algebraic or differential topology will think of the genus as the number of "handles" on a surface or manifold, with an explicit formula usually given for its computation. This carries over to a large extent to algebraic geometry, but one has to worry about the singularities of the (irreducible) algebraic curve. The authors show how to do this in the context of places, and as expected, the Euler formula is generalized to a formula involving the order of a place, instead of the index of a critical point, as is usually done. The genus of an irreducible algebraic curve is then defined to be the genus of its function field. Defining the genus to this level of generality may seem like overkill to readers at this point, with the justification being fully explained later in the book in the context of the Riemann-Roch theorem.

Another very interesting discussion is the notions of the dual and bidual of an irreducible plane curve. As might be expected, these notions are similar to what is done in the theory of vector spaces. The dual curve of an algebraic curve is the irreducible curve consisting of points that form the equation of a tangent line to each non-singular point of the curve (singular points of course will not have unique tangent lines). The `rational Gauss map', defined early on in the section on dual curves, will when operating on the curve give the dual curve, as the authors show. The key point to be remembered here is that the Gauss map is a rational transformation, i.e. it may not be regular because of possible singularities in the curve. The authors give a coordinate expression for the Gauss map, defined in terms of the partial derivatives of the polynomial defining the curve. Readers familiar will elementary differential geometry will see sort of resemblance to the notion of the Gauss map in that field, if one remembers that the latter is defined in terms of normals to a curve, rather than tangents. The Gauss map also plays a major role in the theory of vector bundles, where it is used to assist in the classification of vector bundles. In all of these contexts, one will observe the key role played by projective space in defining the Gauss map. Taking the dual of the dual of a curve defines the `bidual' of a curve, which for fields of characteristic zero is the same as the curve itself. This fails in fields of positive characteristic, as the authors show in detail. Curves where the Gauss maps of the curve and its dual are separable are called `reflexive', and the authors prove a theorem that characterizes when a curve is bidual and when it is non-reflexive.

Going through the long series of definitions in the first section of Chapter 6 pays off in section 2 wherein the authors discuss how linear series arise from `linear systems of curves' and `intersection divisors', where the latter is defined in terms of two irreducible curves and the intersection multiplicity serves as the weight in the sum over all places. Again, a historical motivation would enable the reader a better appreciation of the discussion, such as for example why there is a difference in dimension between a linear system and a linear series. Some concrete examples of linear systems would also be helpful. Linear systems of curves go way back to the origins of algebraic geometry, particularly the work of the Italian geometers, and they have taken on particular importance in enumerative geometry due to the connections with physics via superstring theory.

The concept of a linear system of curves can be described intuitively by first choosing a collection of distinct points {p1,...,pn} in the plane, a list of nonnegative integers {m1,...mn}, and concentrating attention on the collection of plane curves of degree d that have a multiplicity of at least mi at pi. This collection is a linear subspace of the space of plane curves of degree and is called a `linear system' of plane curves. If F is an irreducible curve that is not contained as a component in this linear system, then the authors show that this linear system will "cut out" on F the divisors of a linear series. The authors' strategy for studying linear series is to choose a model so that F has only ordinary singularities, and then they define what is called the `adjoint' curve of F. They prove that an r-fold point of F is at least an (r-1)-fold point of the adjoint, and vice versa, and also prove that the adjoints of a given degree cut out a (complete) linear series on F. If restriction is placed on curves of degree m greater than 3, the adjoints of degree m - 3 are called the `canonical' adjoints of the curves. The authors prove that for a curve of degree greater than 3 and genus g, there are g canonical adjoints for the curve that are linearly independent. Readers can gain much further insight into linear systems and linear series by consulting some of the older books on algebraic curves, say around the beginning decades of the twentieth century. In some of those books (one of them is included in the collection of references), one will find that linear series are thought of as being those points of intersection of a collection of curves with a "base curve". The argumentation in these books is of course not as rigorous as encountered in this book, but it does serve to develop more of an appreciation behind the concept of a linear series and linear systems.

The authors prove the Riemann-Roch theorem in the context of divisors in this chapter, but readers who are familiar with the theory of algebraic curves over the complex numbers or meromorphic functions of a complex variable will see it reformulated using terminology that is closer to that of the "zeros and poles of functions". Such a background will also assist in the understanding of the Weierstrass gap theorem, which is also proven in this chapter, since in the context of meromorphic functions one is interested in finding poles of a particular order at a given point. Finding a pole at this order is dependent on the genus. In this book the authors prove that there are exactly g "gap numbers", i.e. an integer where the function does not have a pole of the order of this integer. If the genus is zero for example then the function can have a pole of any order at any point. If the genus is greater than or equal to one then a pole at a point will always have an order greater than the genus except at the `Weierstrass points.' For a given point, the g gap values are situated between 1 and 2*genus and have a strict ordering. Weierstrass gaps have recently become of interest in coding theory (some of which is discussed in the last chapter of the book). The authors also show how to put an irreducible curve of genus greater than or equal to 1 in `Weierstrass normal form', a strategy that should be very familiar to those readers with a background in elliptic curves.

For now, this review is based on a reading of Chapters 1-6 of the book.

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  • Sales Rank: #3295963 in Books
  • Published on: 2009-09-01
  • Binding: Hardcover

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[B415.Ebook] Free PDF The Architecture of John Wellborn Root (The Johns Hopkins studies in nineteenth-century architecture), by Professor Donald Hoffmann

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The Architecture of John Wellborn Root (The Johns Hopkins studies in nineteenth-century architecture), by Professor Donald Hoffmann

Book by Hoffmann, Professor Donald

  • Sales Rank: #4086128 in Books
  • Brand: Brand: The Johns Hopkins University Press
  • Published on: 1973-06-01
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.84" h x .59" w x 7.87" l,
  • Binding: Hardcover
  • 263 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

4 of 4 people found the following review helpful.
A monumental study of one of America's greatest architects
By John H. Stassen
Students of the Chicago School of Architecture owe a deep debt of gratitude to Donald Hoffmann for his pioneering work on John Wellborn Root who, along with Louis Sullivan, were the pioneers of late 19th century urban architecture in America. This is an important book for any architectural library.

6 of 6 people found the following review helpful.
Hoffman resolves the ironies of the architect John Root.
By xixi@sowega.net or Matthew M. Moye
Root's Ironic Legacy Hoffman makes a thorough case for John Wellborn Root's place as one of America's great architects. It is therefore a bitter irony that Root's less talented partner, Daniel Burnham, is cited in most modern encyclopedias as one of the founders of the Chicago School of Architecture, while Root---especially at the time of Hoffman's 1973 book---often is not. After all, it was Root's creative genius that propelled the firm of Burnham and Root into international focus at the moment of the 1893 World's Columbian Exposition in Chicago.
Root's relative anonymity began with that exposition, for he had died two years earlier of pneumonia. He had been set to rise to certain international stardom as consulting architect for the exposition. He had planned to feature American forms, not European ones. He submitted the site plan and died unexpectedly the same month.
His site plan was mostly realized, but not so his thematic proposal, which was overwhelmed by Parisian Beaux Arts designs. This lost opportunity was also America's loss. Burnham was largely to blame: he was chief of construction, and he inexplicably countered Root's American theme. The resulting exposition design under Burnham's leadership merely repeated a previous European showcase.
Because of the European theme of the Chicago Exposition, the Chicago School was set back a decade. Even worse, architects all over America emulated the exposition. To this day, the American landscape suffers the influence of the Chicago Exposition. One is left to marvel at how different America would look today had Root lived even long enough to guide the exposition to American forms.
About 97% of Root's buildings were razed in the first sixty years of the Twentieth Century, primarily because the business district of Chicago can't grow outwards because of geography. Therefore, it must grow upwards, and that means taller buildings are forever replacing tall buildings, Root's included.
Root's legacy is indeed full of ironies.
Root's Roots Hoffman's important work on this book is singularly responsible for reviving Root's place in architectural history. In the quarter century that has passed since Hoffman's book was published, Root is now accepted by historians, though not the general public.
If there is a weakness in Hoffman's book, it is the spare attention given to Root's life outside Chicago. Here are three details which would have rounded out this otherwise splendid book:
(1) Root was born in my hometown of Lumpkin, Georgia in 1850. I remember the commanding wooden two-story home in which he was born. It was torn down about 1963. Adding to the Root irony, his birthplace today is occupied by a simple brick house. Most natives of his hometown know nothing more than the text of a historical marker about Root, which seems to point out this modern house.
(2) John Wellborn Root's father, Sidney, invented international business in Atlanta. Sidney engineered Atlanta's economic boom which began during the Civil War and has yet to stop.
(3) Root named his masterpiece, the Monadnock, to honor his father, whose family admired Daniel Webster. Webster lived near Mt. Monadnock in New Hampshire.
Root's Future A recent weekend in Chicago took me to three of Root's remaining buildings. One of them, the Monadnock, bowled me over. It is hard to believe that it could have been built in the Nineteenth Century, for it seems fresh even today.
My visit also led me to Donald Hoffman's book, which has now inspired us locals to recognize John Wellborn Root's 150th birthday in January, 2000. Hoffman has thus dispersed one more of Root's ironies---Root's hometown will never forget him again.

6 of 6 people found the following review helpful.
Excellent critical review of the work of skyscraper pioneer
By A Customer
John Wellborn Root's short life was elemental in the development of the early skyscraper. With his partner, Daniel Burnham, Root quickly climbed the social ladder in his adopted city of Chicago, receiving commissions to design South Side mansions for industrialists in the 1870s. The firm of Burnham & Root quickly rose to great acclaim designing commercial buildings such as the Grannis Block and the 10 story Montauk Block, credited as the first building ever referred to as a skyscraper. Root engineered several key technological improvements that made the tall building possible, including the use of a steel within a concrete foundation and was, along with contemporaries William LeBaron Jenney and Holabird & Roche, involved in the use of metal interior frame to support a large building's weight, rather than the historic use of masonry load-bearing walls. Root's Second Rand McNally Building was the world's first building to be supported only on a steel frame. The 22 story Masonic Temple was the world's tallest building when completed in 1892. Root's designs generally frankly expressed their structure in a Romaneque manner, being instrumental in the creation of the so-called "Chicago" or "commercial style". Yet his work was often beautiful, as seen in the Women's Temple, Rookery and Monadnock- the latter two critically-acclaimed structures still standing in Chicago.
Root was an accomplished orator and reader, and if he had not died in 1891 at age 41, he, rather than Louis Sullivan, may have become the spokesman of the Chicago style. The artuiculate Root wrote many articles in trade magazines and spoke at architectual forums, speaking of his architectual theories. Certainly Root was a witty, pleasant gentleman greatly admired by his peers.
Nevertheless, Hoffman's book is not uncritical; the book looks at the failures and the minor commisisons of churches, train stations, and the like. A complete history of Root's work is presented with special emphasis is placed on the most important works listed above. Hoffman's book is well footnoted and his conclusions are supported by the evidence. After the first chapter, Hoffman mostly eschews biography, focusing on Root's career.
The book is interesting and rich in details. Hoffman explores the dynamics of Burnham & Root's successful partnership whereby Root, the designer, handled the drawing, and Burnham, the planner, laid out interior floor plans and handled the "jaw work" in talking to clients.
The relationship with Burnham is interesting for it is Burnham who is best remembered today for his later work in the city planning movement. Although Root's buildings have mostly been demolished as their cities, Chicago, Kansas City, San Francisco and others, have grown upward, several survive and this book keeps the memories of the others alive.

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